Wednesday, 28 September 2016

Musical Theatre Getting Ready for pack

We will rock you is a juke box musical, based on the music of Queen. It tells the sotry of a group of bohemians, who struggle to find sanity in a very different world in the furture, where everyone dresses the same, and acts and thinks the same. In the world of the play there is no thing as music and all composers are forbidden, rock is seen as a sin


The production is set 300 ytears into the furture, where the planet is named 'IPlanet', the main population is made up of 'Ga Ga Kids', where they all resemble clones of each other. The production follows the black sheep of the class ' Galilio', who has always has wanted to be different and something more with his life, he hears strange words in his head, and most play out to be lyrics to the song.


As the play goes on Glailio and his love are captured by Killer Queen and Khashoggi, the leaders of IPlanet, once killer queen has got them they have to fidn a way out and find the hidden istruments, to bring music back into the world. As they work their way through the play we find more characters, Brit and Meat, who are also break aways from the formula of killer queen.



healthy practice

Dance essay
It is important for a dancer in practice to stay fit and make sure that their body is ready for movement, this is mainly through a balanced heathy diet, that includes that correct nutrients and meals, and warming up the body. 

It is really important for a dancer to warm up their body throughly before they participate in any movement, as this will prevent injury and fatigue. Every performer is different in the way that they need to warm up, for example someone may have to focus on stretching out their muscles and then other may be more about raising their blood pressure. But it is important for everyone to balance all of this out so that they are fully prepared.

when warming up the aim is to raise the body's temperature by 1-2 degrees, this is done by increasing the heart rate, and then making blood pump around your body at a faster rate, allowing it to get to your muscles, to loosen the movement up, rather than cold muscle that don't move. An example would be blue tack, when it is cold it is brittle and doesn't move that much, and then once it has been moved about a bit, it is much more pliable and can stretch further. Another benefit of warming up is the body produces synovial fluid into the joints. This is a fluid that has the constistace of egg whites, and the more movement that the body does, the more is produced, which is between the the bones, and works as a lubricant that makes the joints slip over each other without injury. It is also good for mentality for dance and movement, it gets up in the mood to dance and want to get involved and creative.

The first step of a warm up is to participate in around 10 minutes of rhythmic movement, that has a range of moves, that involve the whole body. This could be a simple phrase, that has some simple movements, working its way down the body, incorporating all the body. This would help to start to raise the body temperature and allow the blood to flow through the body. The next step of a successful warm up is to stretch out the limbs and pull the muscles to their fully capacity, this would be different for every individual, so personally my flexabity is not the same as a trained gymnast. The last stage of a successful warm up is static stretches, this should be mainly focused on the main groups, that are used in movement, legs and arms, and the torso area. These should be held in a comfortable position, and held for a long amount of time, during stretching you should never bounce in a position, this is because it tears the muscles, and can cause pain, and once you feel any pain you should reduce the tension of the stretch.

As important as it is to warm up before movement it is just as important to cool down after as well, this helps the body to return to it natural temperature and state, prior to movement, this should take just as much time as it does to warm the body up. This should begin with reducing the amount of movement and intensity of movement as the rehearsal comes to a close, and then ending with some static stretches, but held for a shorter amount of time. These final stretches begin to reduce the body temperature, and then gets rid of the waste fluids in the joints, such as lactic acids, and this will speed up the healing process of the muscles.

When planning to do some movement it is really important to plan well what you wear. The first factor to take into consideration is the amount of movement available in the clothing, first of all in the lower body, to be flowing enough to allow full movement, and the same in the top half. The next factor to dance clothing would be in the temperature that the clothes make you. A good way to stay on top of this is to have layers. It is good to start off the movement with lots of layers during the warm up, to ensure that your muscles are not going from cold to warm in a short amount of time, and then as your body warms up you have the freedom to remove items do you do t overheat. This is the same for the cool down, you can add more clothing as you cool down, so your muscles don't got to another exstreme temperature when you stop moving.

A dance space is as important as a dancers body. The ideal space is to have a object free zone, to prevent collisions with anything and causing injury to the body. More modern dance spaces will have sprung flooring, this is key as it creates a softer surface to land on, and makes it easier to land on and allows your joints to follow through onto. If an injury was to occur during practice, there are some strict rule to follow on how to treat it. The first step is to protect the injury, for example if you were to sprain your ankle, you should put some support onto it, and then rest the limb, by elevating it, and keeping it still, the next step is cold, it is always good to relax your injury and cool the temperature with ice. This will cool down the muscles and prevent swelling. Before putting anymore weight or strain onto the injury it is evaluate how it feel to you, if after all of the prior steps, if it feels any better, and if it doesn't you would need to rest and ice even more. 

As discussed it is really important for a dancer to look after themselves when performing and getting ready to, wether this is prior to movement with a thorough warm up and then cool down after, or with the materialistic items, such as clothing and surroundings, and keeping a heal thing and balanced life, to ensure the safest practice.

Monday, 26 September 2016

Using Text to create a Performance Piece 23/09/16

Recaping Duet work


In the start of the lesson, after we had fully warmed up, we began to recap on the work that we had done previously, for example the main phrase based around secrets and the media. We recaped the main phrase and then split off into our pairs to go over our duets.


My duet is with Holly, whom i have worked with before and we both work well together, and know how each other can work. we recaped our duet, while adding more dynamics, witht eh fluidity and sharpness of our movments, we then teamed up with another duet, and both performed them simultaniously, with us in the middle and the others either side. The two pieces really worked well together, and had some nice contrasting sections, for example when they were using soft movements, and then us being quite harsh with our movements.


To add some more depth into our duet we added a section where they would pick up with some of our movements, and we would all perform in unison, and then go back to our own work, i think that this adds some dynamics to our piece, as the big unsion phrase is really contrasting to the rest as there is usually a lot going on at one point. We then ended the section with all of us pulling the same unison tabluex, which is all of us covering our mouths, and staring out into the audience, which is the move that simblises secrets.




Using Text to create a Performance Piece


In the second part of the lesson we were set the task to find a piece of text in the media or online on a theme that effects us, and we feel has an effect on us, i choose to base mine around a piece of text that discusses womans place in modern society.


I began my anotating my text, and branching off of words that i felt i could make into movement, in relation to that. I came up with things, such as the word 'Rigid' made me think of really sharp, robotic movements, that is all very upright and jaggered.




From here we got up on ur feet and got some material devised. Another member of my class had a piece, about woman being victomised in the work place, about not getting support during their menstrual cycles. I felt that this theme and mine really handed well to each other, so we began to explore to posible phrases and moves that fit to our themes.

The main parts that we came up with were alot of contact work and levels to show supirour sex's in different situations. Alot of our moves relyed on facial exspression to support the theme, for example the girl that i was dancing with had very pained facial exspressions throughout, and then i had a powerful exspression, to show my characters dominace which is reflected through the media.

In advance of the next lesson i am going to look into different views and how other people look at the gender fight, and how other ways equality can be shown.
















Developing Contempory Dance through Warm Up phrase (Continuous)

Warm up Phrase Development Blog


23/09/2016


At the start of the lesson we all learn't as phrase that incorporated lots of different moves, that range for abilities. We learn't it and then paired up and performed it for each other. We started by performing it on the right and then the left, the music that we did it too was quite a fast tempo, so i had to really focus on the timing to make sure that i have it nailed.


The feedback that i got from my partner was quite positive, to start with:


Pros
  • Good pointe in the foot, when doing jumps and rotations.
  • I carry through with every move well, and always try to end everything.
  • Good exstention through the arms.
Improvements
  • Work on my more technical moves, for example the bunny hop, get strengh in arms.
  • Use the whole body, to ensure that i am fully warmed up.

Thursday, 22 September 2016

Exploring team work and Improvisation

In this lesson the first section of the lesson was taken by one of our learning mentors, Sax. We explored a few new warm up games that all we focused around character improvisation. The first one was called park bench, this one was very open to interpretation, as you are aloud to make up any character, and then using that character just go up to the bench and try to get rid of the other character by changing the story around.

My character was based off someone in my class, but  to make it even more comical and out of the blue, i exaggerated every movement and sound. I enjoyed this task as i think it brought everyone out of their shells and gave everyone a chance to show their funny side, and it was nice to see people perform  like that, as i had not seen everyone yet.

The next exercise that we did was a game with a few more boundaries. we were all given a strip of paper with a random sentence on it, and then we had to take turns going around the group and reading them out. mine was "Why did you take my puppy". As I had not read this before my go , it came as a shock and then my partner and i had to make short scene, using this sentence as a starter.

I think  that the beginning of this lesson was really valuable, and by exploring improvisation and taking a scene further, showed me how much a scene can change around by exploration. I think that we should use some of these techniques that we learned in some of the scene in WWRY, in particularly the bohemian scenes, and explore improvisation for the background character, to make it look like a lot is going on.


Team Work

In the second part of the lesson we look into what makes a group work well, and how we all can work together to create the show that we can. We took it in turns to write something that we thought was important to have in a team or ensemble. this is what we came up with.



As you can see in the picture, we came up with things that really were quite varied. some of the things were emotional things, such as support and looking out for one another, and others were practical things such as punctuality and taking risks.We all came to conclusion that all of the things that written down all linked into working as a team and team work.

If some of these attributes were missing from this list, it would not make a successful team. For an example if everyone in a cast had all of these values but not everyone was punctual, it would not be successful. If you had a rehearsal where lots of people we really supporting everyone and were helping one another to take risks in the session, but people were turning up late and not motivated it just slows down the process.

Another example would be if determination was missing, and everyone in the group was there and really supporting everyone in the group,but the actor that was receiving the support had no determination and just kept giving up, the rehearsal would never be moving or getting anywhere.

Personally i would like to think that i try to take on all of these attributes when i'm rehearsing and always want to feel needed and supporting to others. But if i had to improve on at least one of them, i would  like to have a bit more compassion when im rehearsing, for example i would like to be more understanding that other people can take more time to understand things, and other way round as well, that it may take me more time to get things, and i would hope people would have compassion with thattoo.





















Tuesday, 20 September 2016

What makes a successful ensemble?

Researching the Market 20/09/16


British Actors

From research on the internet, i have found that a lot of british actors and actresses dont have up and running websites advertising themselves. On the interent there are a lot of websites for american actors, i feel that the british actors are limiting there work, where amercian are always advertising themselves when given the oppotuinity.

Cillian Murphy

















This website is a fan page, but it is set up to look like an offical page. It contains all of his work and details that an emplyer would need. On this website it has links to his work, so things can be found easier.  My first impression of this website was that it was set out really well, and it looked clear and tidy and had the relivant information. If i was to make an improvements on this website i would have added some more pages with some more in depth on his past performances and his details, as he has been in the business from a young age.


Terry Alderton
















This website i think is a really successful the way that this website is set out. I could easily find where everything was and has the needed details to where to find him or his upcoming shows and events. As an actor Terry Alderton has a vartiey of styles of performance. If i was to have set up a page for him i would have set to a simpler design, that just showcases him as a performer and not all the colour and interactivity.


American Actors


Brian d'Arcy James



















In comparison to the british actors websites, this american actor has been really thourogh in his website. From this website i have found out everything that this actor has done, including theatre film and TV. It also has samples of his work in recording and his cast albums. If was to add something else i would make it a cleaner look, it looksn very dark on first glance and i didnt get the impression that he was an actor, it could have just been a selling page or a fan page for the artist.


Ramin Karimloo


















Monday, 19 September 2016

Exploring Personal Trends and Costume

To begin out costume unit we all spent some time in groups talking about our own fashion styles and clothes that we personal enjoy to wear. The main question that was asked in my group was 'Why do you choose to wear that?'. This made me think about my self and the process that i particularly go through in the mornings when getting ready.

I explained to my group that i liked to wear clothes that are fairly exspressive, and that dont tend to follow any fashion trends. I feel that i wear bright colours, and try to stear away from blocked colours and things that are fairly dark. and like there to be a lot going on in my shirts, for example.

Some people in my group saids that their fashion is often in responce to what other people are doing and how people see them. For example, someone said that "If I know that im going to be seeing someone or someone that can judge me". However personally i dont take into consideration who i am seeing, or what people think, i just wear things that i feel confident in, and go with my mood.


In this diagram you can see how three people in my group explained their own fashion sense. They were all really different takes on the subject and every different person had a different reason on my they wore certain things, and nobody had the same take on it as myself.

Later in the lesson we did an excirse which involved us getting into an order of how long it takes us to get ready in the morning. For example the first task was to get into an order of getting ready for college in the morning. I placed myself around 30mins to get ready, i felt that this was a good reflection as i dont like to spend to long on what i look like, but dont rush into it and make myself look slapped together. In contrast others placed themselves higher in the line, saying that they can take anything up to 2 hours to get ready for college, personally i could not see myself doing that, as it takes so much time out of your day, and then on the other side of the scale there where people that would just next to know time in what they look like, and again i could not see myself like this as i never know what i going to happen in the day, and i want to feel prepared.

I relation to the production of We Will Rock You, that we will be designing the costumes for, i feel that this excirse really made me think about the depth of the costume design. For example what sort of character it is can be showed through their clothes. For the character of Killer Queen she is the antagonist of the show, so this would be showed through her costume, with her wearing darker colours and being a bit ruff around the edges, like she hasn't put my effort into her look, this would give an audience an idea of her character, rather than her wearing something random that is not in relation at all, like if she wore something bright and flowing, the audience would think that she would be a positive character



























Vocal Warm up ands Singing Session

Vocal Warm Ups - What's their importance?

When you  are singing you are using the your vocal chords and the inner muscles of your  larynx (the muscle that controls your vocal chords opening and closing to let out a sound). We need to stretch these muscle before we attempt any real singing, just like you would warm up before you go for a run or play sports. This allows them to become lose and can also gets rid of any mucous and can also reduce the risk of having an injury, such as losing your voice. It is  recommended to warm up for 15-20 minutes before hand, to wakeup  your chords, and get the blood pumping around them.

The ideal warm up would be to start off with something small, that doesn't add to much strain to your voice, for example what we did in this warm up was begin with gentle lip trills and humming. and then slowly as you feel even more prepared, you can start to produce some more natural sounds that let more air flow over your vocal chords, for example in our warm up we tend to start with simple sounds, like Ahhh and Oooo going up and down a scale or arpeggios. Then as we progress it is good to make it even more complex, by adding in words over the top. For an example tongue twisters, which get your mouth moving to get your mouth muscles moving and warmed up.

Also vocal warm up can also develop your voice further, while as helping with the general upkeep of your voice, just like a bike chain would need oil to keep it moving. For myself I have found that by exploring different warm ups that suit my voice and me as a singer, I have heightened my range, and I can now reach higher notes with more confidence that I could, before I started to explore and warm up my voice regularly.


Song Session - How is it Valuable

In our first rehearsal back we began the lesson by just standing around the piano and singing some of the songs from the score of our first performance, which is We Will Rock You! After doing a thorough warm up, we began to sing some of the songs in unison, and just exploring what everyone knew and could do to bring to the songs. As this was our first lesson of the term, and was a new class of performers, there are some people in the class that have not worked  together yet, and nobody has as a collective yet.

When we all first entered the room I felt that we did not yet have that connection as a cast, and where not 100% on how everyone performs and works in a rehearsal. I felt that the moment that we all started to sing together, there was an automatic connection, that we all blended our voices well together and listened out for others, when we were singing.


Basic Harmonies 

When we started this lesson we all set ourselves goals for this year, I felt that I wanted to learn more about the technique of singing, as I know how to singing certain things, but don't always know why I'm doing something.

In the first section of the singing period we learn what a basic harmony was, and it was explained to us in the form of the chord A, and that the bottom note was a A and then every other note from there on was the harmony line.